Filed under Interviews

FORBES: Damiano David Opens Up On Stunning Solo Debut

If you only know Damiano David as the lead singer of Italian glam rock band Maneskin, then you don’t know David. On his solo debut, Funny Little Fears, David showcases a whole other side of himself.

Theatrical, vulnerable, eclectic and compelling, Funny Little Fears is an impressive introduction to the singer/songwriter side of David.

I spoke with him in a revealing conversation about being an introvert, why the initial success of Maneskin caught him by surprise, songwriting and much more.

Steve Baltin: Congratulations on the record. I was just looking at your Instagram. I’ve talked about this with so many artists. When you do a solo record as opposed to being in a band, it does feel like because it’s under your name, it’s much more personal. It feels like this one was more internal. Was that the case?

Damiano David: Yeah, I think, especially the last record with my band Maneskin, it’s a lot about what I was seeing externally while this record is a lot about the effects that all that I’ve seen had on me.

Baltin: I’m always a big believer in writing being subconscious. So, when you started doing this and started putting all this into song, were there things that you were surprised about on the record?

David: Yeah, it was actually quite accurate. It’s really my experience. I feel like everything that happened with the band happened so fast that I never really had the chance to absorb it and understand the effects that it was having on me. I was so moved by this boost of energy and enthusiasm that all the problems were going into the back of my brain. But you can delay stuff for only for as long as possible, at one point it’s going to come out. And this was the time for me.

Baltin: Were there specific songs that really surprised you when you went back and listened to the lyrics?

David: I think that pretty much with every song, what happens to me it’s like after I wrote it I read back the lyrics, and I realize that I didn’t even know that I was feeling that so strongly or that like that was the source of my problem. This is really generalized to pretty much every song I write. In general, in the record I was surprised by the level of honesty and vulnerability and disconnects, also with the level of connection that I managed to have with all the producers and songwriters I worked with. It was surprising for me as a very internal person. I don’t share much. So, it was surprising for me the level of understanding and the level of confidence that I can see in the songs.

Baltin: That’s interesting. I’ve talked to so many people about this; music becomes your way of communicating. So, did you have to share this to express your feelings?

David: Yeah, definitely. The word that I was searching for was introverted. But yeah, for me, it’s like opening the lid of a bottle and letting everything come out, because I’m not a great talker. So, music, that’s the trick for me.

Baltin: That’s so interesting to me because Chris Cornell was a friend and Chris was one of the greatest frontmen ever. He told me he was an outcast as a kid and became a musician because music becomes his way of communicating and fitting it with the world.

David: I think especially for songwriters, but I think it applies to musicians in general, many times it starts as a way to be seen or understood. I feel like a very common sentiment is wanting to say something or to show something and maybe not having the platform or not having the confidence or coming from an environment that doesn’t really let you do it. So, music works as this kind of counterattack, where you’re like, “I’ll put myself on a stage. So, you have to listen to me.” Then when you grow older and you’re not that mad and instinctive anymore, you understand that it’s actually your way to communicate strong feelings that can be overwhelming most of the time. When you have the safety of a stage, which seems counterintuitive, but a stage makes me feel makes me and I think a lot of colleagues feel safer. You have the strength to talk about these things.

Baltin: Because you consider yourself an introvert, when Maneskin started to become this huge behemoth that everybody responded to was there a feeling of disconnect, like this didn’t make sense?

David: If you think about it, it feels weird because if you break it down, it’s always weird to think there’s that amount of people giving attention to you. I think it will never get normal for me. But I think that for me it felt a lot like I was right, like, I had something to say, and I thought it was worth listening to. This was finally the evidence that I was right.

Baltin: That then gives you the confidence to do a solo record that is more vulnerable because all these people are responding, all these people love it. The other thing of course that happens is you just get older. And as you get older, you just get more confident, you start to care less about what others think.

David: Yeah, I would say it’s definitely true. I think it happened during the process of the record, I felt like I needed to communicate something and the only way possible to do it was to make a solo project. Then of course after that all the fears and self -doubting and the thinking about what people would think came about but I would say it lasted very few days because I was really paying attention to how writing this music made me feel. It was extremely positive for me.

Baltin: What was the first song written for this record?

David: I started with the purpose of doing a solo project. I knew that a very defining song was “Born With A Broken Heart” because it’s the type of sound that I didn’t imagine for myself at the beginning of the process. Then it ended up being the one I feel more comfortable with right now and most represented by. That was really like a breaking point for me. It was like, “Okay, I think we just found the sound of the record.”

Baltin: What was it about this sound that spoke to you?

David: I felt like it would allow me to be many different things at the same time, which is what I feel like I am and what I want to show the people. I feel like before I’m a songwriter, an artist, a performer or whatever, I’m a person. I’m a human being and people are made of many different layers and many different levels of emotions and experiences. I felt like this type of sound, which is very influenced by theater and musicals, would really give me the chance to explore a huge amount of emotions and dynamics and would allow me to dance if I wanted to dance and be very serious if I wanted to be serious, be very cinematic. I feel like it has such a wide range of emotions, and my main goal is to have fun with music. I felt like this would allow me to really have fun.

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PARIS MATCH: Damiano David: “With Måneskin, I had to represent the band. Solo, I’m more myself.”

The singer of the band Måneskin is going solo with a completely different tune. Evolution or revolution?

The era where Damiano David belted out provocations, guitar in hand with his three disciples, drenched in leather, sweat and the scent of stale smoke, is over. The frontman of the alternative rock band Måneskin, founded ten years ago in Rome, has taken flight with his solo album Funny Little Fears. Although he became a household name after his group’s victory at Eurovision in 2021 — pushing France’s Barbara Pravi to second place — Damiano sealed his rock star image with rumors of cocaine and a passionate kiss with his guitarist on a Polish stage.

After three albums and just as many tours, the bold singer announced a solo project last year, marking a “pause” from Måneskin. And as with any solo career, came reinvention. Damiano David appears transformed — in lyrics, in style. Out with the provocative lyrics and ripped outfits; the 26-year-old Roman, once praised by the Rolling Stones and Angelina Jolie, now leans into pop and sugary refrains.

Paris Match: After Måneskin’s explosive rise following your Eurovision win in 2021 — why take the risk of going solo?

Damiano David: I don’t feel like I took a risk. Risks don’t scare me. It was more of a necessity. After playing with the band for many years, I felt the need to express things differently — and I couldn’t do that with them.

How long has the idea of a solo career been in your head?
To be honest, I always considered it. I was just waiting for the right time, I wanted to feel ready. When that moment came, I jumped in.

You’ve swapped wild hard rock for romantic pop. How do those two worlds coexist within you?
I’m a mix of both. One part of me is very confident, very self-assured — that’s the version that went on stage with Måneskin. But growing up, I’ve become a more complex, more whole human being. That second side, the more mature one, is just as real.

Yet you said pop lets you be more yourself. Was that not the case with rock?
The biggest difference is that with Måneskin, as the songwriter, I always tried to represent each band member in the lyrics. Sure, the words were mine, but the whole group had to see themselves in the songs. Now that I’m alone, I write about my own experiences, my own feelings. No one can influence the songwriting. I’m more myself.

You worked with many people on this album, including Jason Evigan (Maroon 5, Demi Lovato, Selena Gomez…). Did that reassure you?
Honestly, I didn’t focus much on their credentials. What mattered most to me was the atmosphere — I need to feel good when creating music. Jason is incredibly talented and kind. He didn’t take the easy route of replicating Måneskin’s sound. Instead, he tried to understand who I am as a solo artist — that’s why we worked so well together.

You’re often compared to Harry Styles, in both style and career path. How do you feel about that?
He’s talented! So… why not? I guess it’s normal for people to draw comparisons. But if you really listen to our music, it’s quite different.

How did your collaboration with Suki Waterhouse on “The Bruise” come about?
I sent her the song directly. I’d written it as a duet and needed a voice that was beautiful, soft, ethereal. Suki has all of that. Her music feels close to the world I created around this track. I was thrilled when she said she loved it and wanted to join.

What did you feel the first time you were in the studio alone — without the other three members?
At first, it was really hard. I had to open up to new people, share deeply personal things. That was by far the toughest part. Once I got through it, we immediately started composing. Quickly, the rhythms, sounds, and arrangements started sounding right. That’s when I knew I’d made the right choices.

You’ve often been called the “bad boy of rock” with your punk looks and wild vibe. Is this album proof that your rebellious phase is over?
(He laughs) I hope so! This album reflects what I’m going through in life. But who knows? Maybe I’ll go through another rebellious phase!

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LE PARISIEN: Damiano David, the lead singer of Måneskin, goes solo: “Success is both beautiful and violent”

The singer of the Italian band Måneskin, Damiano David, is making a successful solo debut with a very pop and personal first album. Meet a 26-year-old rockstar who’s starting to ask some deep questions.

Stronger than Måneskin!
Damiano David is doing even better with his solo debut than with his band. The Italian singer enters straight into 2nd place on the French charts for physical sales and streaming, just behind the hugely popular and recently deceased rapper Werenoi, whose death at only 31 has triggered an immense wave of tributes and listens over the past week.

This shows just how well the 26-year-old rockstar — who now lives in Los Angeles with his partner Dove Cameron — is launching his career under his own name, in an elegant pop universe that calls to mind Harry Styles. His irresistible debut singles, “Born With A Broken Heart,” “Next Summer,” and “Zombie Lady” hinted at a great album to come. Not only does Funny Little Fears deliver on that promise, it also sets the stage for major concerts — at Vieilles Charrues on July 17, and at the Adidas Arena in Paris on September 26.

Why go solo when your band is enjoying such phenomenal global success?
DAMIANO DAVID: This is the first time since the beginning of my career that I’m doing something purely for myself, allowing myself to be open and vulnerable. It’s more honest, more sincere. I managed not to be afraid of what people would think.

The album touches on your fears — loneliness, losing your sense of direction, depression… Was it therapeutic in some way?
Yes, in a way. It was a way for me to find enthusiasm and passion again.

Is success hard to bear?
It shakes everyone. It’s both beautiful and violent. For some people, the path to fame is slower, so they have more time to process it. But for Måneskin, we went from unknown to famous in Italy very fast, then from unknown to famous in Europe, and then in the United States. I didn’t have time to notice what it was doing to me because everything was happening so quickly. When things slowed down, I thought I had to do something with all these feelings.

Couldn’t you have made these songs with Måneskin?
No. When I work with the band — and we’re a group of friends first and foremost — my goal is to create the best songs possible, but also to be the voice for the other members, to understand them. It’s always a shared perspective. But here, I wanted to share my own experiences, my relationships, my low points, and my happiest moments too — and I needed to do that alone. Of course, they understood my approach.

“In the future, I’ll make more music in Italian”
— Damiano David

Is this just a solo detour?
The last Måneskin concert at Rock en Seine wasn’t the final one, don’t worry. I want to lead two careers at the same time — one solo, and one with the band. Each project takes about two years, it’s doable. I actually have enough songs ready for two more albums (he laughs), but nothing’s been planned yet…

Why sing everything in English?
Because this project was born in the United States and is aimed at a broader audience than just Italy. But in the future, I’ll definitely make more music in Italian.

You co-wrote the songs with several authors and composers. How did that collaboration work?
The biggest part of the job was finding my sound. I know what kind of music I like and how I want to sing, but I didn’t know what I wanted my sound to be. That turned out to be a good thing — it allowed me to really enjoy creating and experimenting.

You worked with the prestigious American producer Jason Evigan (Madonna, Maroon 5, Dua Lipa, Charli XCX, Benson Boone, Rosé…)
The trap when working with such talented people is the temptation to just recreate the hits they’ve written for others. I didn’t want to know too much about them. We created my songs during writing camps, where we lived together for two weeks in the desert. It was a first for me — very enjoyable, like making music with friends.

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Damiano performs at Meo Kalorama Festival

Damiano was one of the key stars at Meo Kalorama Festival in Lisbon, Portugal, which took place last weekend.

At the concert in Lisbon, which kicked off a little before two in the morning, Damiano David presented the album Funny Little Fears, released in May. Despite the late hour, fans welcomed one of the biggest names of the festival’s fourth edition with peak energy, and showed they knew every lyric by heart.

The Italian artist delivered a setlist that included almost all the hits from his debut album—Next Summer, for example, was left out. The concert began with The First Time, Voices, and Tango, inviting the audience into a whole new musical world.

“Sorry, I don’t speak any Portuguese, though I should,” the artist said. “The only thing I know is: ‘o mar de gente, o Sol diferente, o monte de betão. Não me provoca nada’,” he added, quoting the song Deslocado by NAPA. “They should’ve won Eurovision… after Italy, of course,” he noted with a smile.

Always high on adrenaline on stage and with many heartfelt “obrigados” along the way, the setlist continued with Mars and Zombie Lady—songs that the crowd sang in unison—before the artist launched into a cover of Nothing Breaks Like a Heart by Mark Ronson. “I never end a concert without taking off my shirt,” he said, swapping his white T-shirt for a jersey of the national football team and recreating Cristiano Ronaldo’s iconic “yes” celebration.

For the farewell, Damiano David chose a ballad, Solitude, leaving fans wanting more—despite the full-on energy and passion delivered by the artist and his band.

Setlist:
The First Time
Voices
Tango
Mars
Nothing Breaks Like a Heart (Cover)
Zombie Lady
Too Sweet (Cover)
Angel
Tangerine
Born with a Broken Heart
Solitude (No One Understands Me)

Check out +50 HQ photos in the gallery:

Gallery Link
Concerts > 2025 > June 21 – Meo Kalorama in Lisbon, Portugal
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Gallery Update (June 23, 2025)

The following albums have been added to the photo gallery this past month:

Appearances

Photoshoots